Loosely based on the life of Peter Rachman--concentration camp survivor, property racketeer and murky presence in the Profumo Affair--Singer is an epic fable of post-war Britain told with lurid and exhilarating energy. "A big, gaudy, complex play, partly an impressionistic portrait of post-war Britain, partly a meditation on the aftermath of the Holocaust."--The Times (London)
In "Rechnitz," a chorus of messengers reports on the circumstances of the massacre of 180 Jews, an actual historical event that took place near the Austrian/Hungarian border town of Rechnitz. In "The Merchant's Contracts," Jelinek brings us a comedy of economics, where the babble and media spin of spectators leave small investors alienated and bearing the brunt of the economic crisis. In "Charges (The Supplicants)," Jelinek offers a powerful analysis of the plight of refugees, from ancient times to the present. She responds to the immeasurable suffering among those fleeing death, destruction, and political suppression in their home countries and, drawing on sources as widely separated in time and intent as up-to-the-minute blog postings and Aeschylus's "The Supplicants," Jelinek asks what refugees want, how we as a society view them, and what political, moral, and personal obligations they impose on us.
Revealed as I am, sinful in my begetting,
Sinful in marriage, sinful in shedding of blood!'
The legends surrounding the royal house of Thebes inspired Sophocles (496-406 BC) to create a powerful trilogy of mankind's struggle against fate. King Oedipus tells of a man who brings pestilence to Thebes for crimes he does not realise he has committed, and then inflicts a brutal punishment upon himself. With profound insights into the human condition, it is a devastating portrayal of a ruler brought down by his own oath. Oedipus at Colonus provides a fitting conclusion to the life of the aged and blinded king, while Antigone depicts the fall of the next generation, through the conflict between a young woman ruled by her conscience and a king too confident in his own authority.
E. F. Watling's masterful translation is accompanied by an introduction, which examines the central themes of the plays, the role of the Chorus, and the traditions and staging of Greek tragedy.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Set on a college campus in Vermont, Spinning into Butter is a new play by a major young American playwright that explores the dangers of both racism and political correctness in America today in a manner that is at once profound, disturbing, darkly comic, and deeply cathartic. Rebecca Gilman challenges our preconceptions about race relations, writing of a liberal dean of students named Sarah Daniels who investigates the pinning of anonymous, clearly racist letters on the door of one of the college's few African American students. The stunning discovery that there is a virulent racist on campus forces Sarah, along with other faculty members and students, to explore her feelings about racism, leading to surprising discoveries and painful insights that will rivet and provoke the reader as perhaps no play since David Mamet's Oleanna has done.
Spinning into Butter had its world premiere at the Goodman Theatre in Chicago in May 1999 and will open at the Vivian Beaumont Theater at Lincoln Center in New York in April 2000.
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play's famous lines and phrases
-An introduction to reading Shakespeare's language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library's vast holdings of rare books
-An annotated guide to further reading Essay by Alexander Leggatt The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
A compelling drama of South African apartheid and a universal coming-of-age story, from "the greatest active playwright in the English-speaking world" (Time).Originally produced in 1982, "Master Harold and the Boys" is now an acknowledged classic of the stage, whose themes of injustice, racism, friendship, and reconciliation traverse borders and time.
"A superb new drama written by John Patrick Shanley. It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year's ten best."--Ben Brantley, The New York Times
"[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing."--Linda Winer, Newsday
Chosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This new play by John Patrick Shanley--the Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruck--dramatizes issues straight from today's headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.
John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor's Song, Savage in Limbo, and Where's My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.
Is it possible to cultivate fundamental human values if you live in a totalitarian state? A teacher who has organised the school theatre sets out to prove that it is. Whilst the pupils rehearse Shakespeare's tragedies and comedies under her ever-vigilant eye, Soviet life begins to make its brutal adjustments. This story can be called a book about love, the tough kind of love that gets you through life and death.
Little Zinnobers is especially fascinating for British readers as we see Shakespeare's famous sonnets and plays touchingly brought to life by the Russian children and their gifted teacher, the novel's heroine. The teacher applies some of the playwright's satire to the socio-political situation of the USSR, while also using her English lessons to teach her students life's broader lessons.
Echoes of the Soviet Union can be felt in our own society today: people find themselves increasingly at odds with politicians' hypocrisy, 'big brother' is watching us through thousands of CCTVs, whilst political correctness determines what we can and cannot say. It is these subtle undercurrents which help make Chizhova's novel particularly pertinent for today's readership. Apart from being a magnificently written first-rate story, Little Zinnobers is unique in the fact that it goes beyond the realm of politics and fiction to shed a new light on the relevance of British literary heritage today.
Published with the support of the Institute for Literary Translation, Russia.