Born on the Winnebago Reservation in 1884 and orphaned in 1888, she spent ten years in Indian boarding schools before graduating from the Carlisle Indian Industrial School in 1902. She married James Young Johnson, and in 1907 the couple reinvented themselves as the stage personas "Princess Red Wing" and "Young Deer," performing in Wild West shows around New York and beginning their film careers.
As their popularity grew, St. Cyr and Johnson decamped from the East Coast and helped establish the second motion picture company in Southern California, where Red Wing became a Native American leading lady in westerns until her career waned in 1917. After returning to the reservation to work as a housekeeper, she took her show on a two-year tour to educate the public about Native culture and lived out her life in New York, performing, educating, and crafting regalia.
Starring Red Wing! is a sweeping narrative of St. Cyr's evolution as America's first Native American film star, from her childhood and performance career to her days as a respected elder of the multi-tribal New York City Indian Community.
Fred Rogers (1928-2003) was an enormously influential figure in the history of television. As the creator and star of Mister Rogers' Neighborhood, he was a champion of compassion, equality, and kindness, fiercely devoted to children and taking their questions about the world seriously. The Good Neighbor is the first full-length biography of Fred Rogers.
Based on original interviews, oral histories, and archival documents, The Good Neighbor traces Rogers's personal, professional, and artistic life through decades of work. It includes his surprising decision to walk away from the show in 1976 to make television for adults, only to return to the neighborhood to help children face complex issues such as divorce, discipline, mistakes, anger, and competition. The Good Neighbor is the definitive portrait of a beloved figure.
One of the most celebrated, beloved, and enduring actors of our time, Sally Field has an infectious charm that has captivated the nation for more than five decades, beginning with her first TV role at the age of seventeen. From Gidget's sweet-faced "girl next door" to the dazzling complexity of Sybil to the Academy Award-worthy ferocity and depth of Norma Rae and Mary Todd Lincoln, Field has stunned audiences time and time again with her artistic range and emotional acuity. Yet there is one character who always remained hidden: the shy and anxious little girl within.
With raw honesty and the fresh, pitch-perfect prose of a natural-born writer, and with all the humility and authenticity her fans have come to expect, Field brings readers behind-the-scenes for not only the highs and lows of her star-studded early career in Hollywood, but deep into the truth of her lifelong relationships--including her complicated love for her own mother. Powerful and unforgettable, In Pieces is an inspiring and important account of life as a woman in the second half of the twentieth century.
No star burned more ferociously than Judy Garland. And nobody witnessed Garland's fierce talent at closer range than Stevie Phillips. During the Mad Men era, Stevie Philips was a young woman muscling her way into the manscape of Manhattan's glittering office towers. After a stint as a secretary, she began working for Freddie Fields and David Begelman at Music Corporation of America (MCA) under the glare of legendary über-agent Lew Wasserman.
When MCA blew apart, Fields and Begelman created Creative Management Associates (CMA), and Stevie went along. Fields convinced Garland to come on board, and Stevie became, as she puts it, "Garland's shadow," putting out fires-figurative and literal-in order to get her to the next concert in the next down-and-out town. Philips paints a portrait of Garland at the bitter end and although it was at times a nightmare, Philips says, "She became my teacher," showing her "how to" and "how not to" live.
Stevie also represented Garland's fiercely talented daughter, Liza Minnelli, as well as Robert Redford, Paul Newman, Henry Fonda, George Roy Hill, Bob Fosse, Cat Stevens, and David Bowie. She produced both films and Broadway shows and counted her colleague, the legendary agent Sue Mengers, among her closest confidantes. Now Stevie Phillips reveals all in Judy & Liza & Robert & Freddie & David & Sue & Me..., a tough-talking memoir by a woman who worked with some of the biggest names in show business. It's a helluva ride.
The last in a popular series on movie stars in the military, this handsome book provides readers with a guide to film actors of many nations who served in various branches of their own military forces. Because they appeared in Hollywood movies, many of these figures will be familiar to Americans.
A few even won Oscars. Others worked closer to home but are still readily recognizable. Most of them date their service to World War II, and the preponderance is British. Among the more than sixty stars featured are the British actors Richard Attenborough, Richard Burton, Michael Caine, Royal Navy gunner Sean Connery, Alex Guinness, Rex Harrison, Anthony Hopkins (who spent a year with the Royal Artillery during the Cold War), Ray Milland, Roger Moore (a first lieutenant with the Royal Army in occupied West Germany after World War II), David Niven, Michael Rennie, and Peter Ustinov. Those from Canada include Lorne Greene, Raymond Massey, and Walter Pidgeon. The Frenchmen include Maurice Chevalier and Charles Boyer. Also featured are Laurence Harvey of South Africa, Peter Finch of Australia, Oskar Werner of Germany, Toshiro Mifune of Japan, and Audrey Hepburn, who as a child was a courier for World War II resistance fighters in Holland.
While the book focuses on the stars' military experiences, it also provides information about their earlier lives and screen careers after their service. Like the other books in the series, it will have wide appeal.
Janet Maslin, The New York Times - People - Vogue ONE OF THE BEST BOOKS OF THE YEAR
--Financial Times - Chicago Sun-Times
The Independent - Bookreporter
The Sunday Business Post Mom loved adages, quotes, slogans. There were always little reminders pasted on the kitchen wall. For example, the word THINK. I found THINK thumbtacked on a bulletin board in her darkroom. I saw it Scotch-taped on a pencil box she'd collaged. I even found a pamphlet titled THINK on her bedside table. Mom liked to THINK. So begins Diane Keaton's unforgettable memoir about her mother and herself. In it you will meet the woman known to tens of millions as Annie Hall, but you will also meet, and fall in love with, her mother, the loving, complicated, always-thinking Dorothy Hall. To write about herself, Diane realized she had to write about her mother, too, and how their bond came to define both their lives. In a remarkable act of creation, Diane not only reveals herself to us, she also lets us meet in intimate detail her mother. Over the course of her life, Dorothy kept eighty-five journals--literally thousands of pages--in which she wrote about her marriage, her children, and, most probingly, herself. Dorothy also recorded memorable stories about Diane's grandparents. Diane has sorted through these pages to paint an unflinching portrait of her mother--a woman restless with intellectual and creative energy, struggling to find an outlet for her talents--as well as her entire family, recounting a story that spans four generations and nearly a hundred years. More than the autobiography of a legendary actress, Then Again is a book about a very American family with very American dreams. Diane will remind you of yourself, and her bonds with her family will remind you of your own relationships with those you love the most. Look for special features inside. Join the Circle for author chats and more.
Pearl Primus (1919-1994) blazed onto the dance scene in 1943 with stunning works that incorporated social and racial protest into their dance aesthetic. In The Dance Claimed Me, Peggy and Murray Schwartz, friends and colleagues of Primus, offer an intimate perspective on her life and explore her influences on American culture, dance, and education. They trace Primus's path from her childhood in Port of Spain, Trinidad, through her rise as an influential international dancer, an early member of the New Dance Group (whose motto was "Dance is a weapon"), and a pioneer in dance anthropology.
Primus traveled extensively in the United States, Europe, Israel, the Caribbean, and Africa, and she played an important role in presenting authentic African dance to American audiences. She engendered controversy in both her private and professional lives, marrying a white Jewish man during a time of segregation and challenging black intellectuals who opposed the "primitive" in her choreography. Her political protests and mixed-race tours in the South triggered an FBI investigation, even as she was celebrated by dance critics and by contemporaries like Langston Hughes.
For The Dance Claimed Me, the Schwartzes interviewed more than a hundred of Primus's family members, friends, andfellow artists, as well asother individuals to create a vivid portrayal of a life filled with passion, drama, determination, fearlessness, and brilliance."
NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY
Janet Maslin, The New York Times - People - Vogue
--Financial Times - Chicago Sun-Times
The Independent - Bookreporter
The Sunday Business Post Mom loved adages, quotes, slogans. There were always little reminders pasted on the kitchen wall. For example, the word THINK. I found THINK thumbtacked on a bulletin board in her darkroom. I saw it Scotch-taped on a pencil box she'd collaged. I even found a pamphlet titled THINK on her bedside table. Mom liked to THINK. So begins Diane Keaton's unforgettable memoir about her mother and herself. In it you will meet the woman known to tens of millions as Annie Hall, but you will also meet, and fall in love with, her mother, the loving, complicated, always-thinking Dorothy Hall. To write about herself, Diane realized she had to write about her mother, too, and how their bond came to define both their lives. In a remarkable act of creation, Diane not only reveals herself to us, she also lets us meet in intimate detail her mother. Over the course of her life, Dorothy kept eighty-five journals--literally thousands of pages--in which she wrote about her marriage, her children, and, most probingly, herself. Dorothy also recorded memorable stories about Diane's grandparents. Diane has sorted through these pages to paint an unflinching portrait of her mother--a woman restless with intellectual and creative energy, struggling to find an outlet for her talents--as well as her entire family, recounting a story that spans four generations and nearly a hundred years. More than the autobiography of a legendary actress, Then Again is a book about a very American family with very American dreams. Diane will remind you of yourself, and her bonds with her family will remind you of your own relationships with those you love the most.
The loving yet brutally honest memoir of the daughter of comedy legend Richard Pryor
Rain Pryor was born in the idealistic, free-love 1960s. Her mother was a Jewish go-go dancer who wanted a tribe of rainbow children, and her father was Richard Pryor, perhaps the most compelling and brilliant comedian of his era.
In this intimate, harrowing, and often hilarious memoir, Rain talks about her divided heritage, and about the forces that shaped her wildly schizophrenic childhood. In her father's house, she bonded with Richard's grandmother, Mamma, a one-time whorehouse madam who never tired of reminding Rain that she was black. In her mother's house, and in the home of her Jewish grandparents, Rain was a "mocha-colored Jewish princess," learning how to cook everything from kugel to beef brisket.
It seemed as if Rain was blessed with the best of both worlds, but it didn't quite work out that way. Life at Mom's was unstable in the extreme, while at Richard's place Rain was exposed to sex and drugs before she had even learned to read. "Daddy," she told her father one day, sitting down to Thanksgiving dinner at the advanced age of eight, "the whores need to be paid."
Jokes My Father Never Taught Me is both lovingly told and painfully frank: the story of a girl who grew up adoring her father even as she feared him--and feared for him--as his drug problems grew worse. In 1980 Pryor tried to kill himself by setting himself on fire, then joked that it had been an accident: "No one ever told me you couldn't mix cookies with two types of milk!" In his later years, Pryor succumbed to multiple sclerosis, and Rain watched in tears as her father became a shell of his former self. Once, in an unusually introspective mood, Pryor asked his daughter, "Why do you love me, Rainy, when I can be so mean?"
Jokes My Father Never Taught Me answers that poignant question and many more. It is an unprecedented look at the life of a legend of comedy, told by a daughter who both understood the genius and knew the tortured man within.
This is the story of a journey. It is the eagerly anticipated and altogether startling culmination of Shirley MacLaine's extraordinary -- and ultimately rewarding -- road through life. The riveting odyssey began with a pair of anonymous handwritten letters imploring Shirley to make a difficult pilgrimage along the Santiago de Compostela Camino in Spain. Throughout history, countless illustrious pilgrims from all over Europe have taken up the trail. It is an ancient -- and allegedly enchanted -- pilgrimage. People from St. Francis of Assisi and Charlemagne to Ferdinand and Isabella to Dante and Chaucer have taken the journey, which comprises a nearly 500-mile trek across highways, mountains and valleys, cities and towns, and fields. Now it would be Shirley's turn.
For Shirley, the Camino was both an intense spiritual and physical challenge. A woman in her sixth decade completing such a grueling trip on foot in thirty days at twenty miles per day was nothing short of remarkable. But even more astounding was the route she took spiritually: back thousands of years, through past lives to the very origin of the universe. Immensely gifted with intelligence, curiosity, warmth, and a profound openness to people and places outside her own experience, Shirley MacLaine is truly an American treasure. And once again, she brings her inimitable qualities of mind and heart to her writing. Balancing and negotiating the revelations inspired by the mysterious energy of the Camino, she endured her exhausting journey to Compostela until it gradually gave way to a far more universal voyage: that of the soul. Through a range of astonishing and liberating visions and revelations, Shirley saw into the meaning of the cosmos, including the secrets of the ancient civilizations of Atlantis and Lemuria, insights into human genesis, the essence of gender and sexuality, and the true path to higher love.
With rich insight, humility, and her trademark grace, Shirley MacLaine gently leads us on a sacred adventure toward an inexpressibly transcendent climax. The Camino promises readers the journey of a thousand lifetimes.
Liner Notes: On Parents & Children, Exes & Excess, Death & Decay, & a Few of My Other Favorite Things
--Judd Apatow "Wainwright is an engaging and witty memoirist."
--Wall Street Journal Loudon Wainwright III, the son of esteemed Life magazine columnist Loudon Wainwright, Jr., is the patriarch of one of America's great musical families. He is the former husband of Kate McGarrigle and Suzzy Roche, and father of Rufus Wainwright, Martha Wainwright, Lucy Wainwright Roche, and Lexie Kelly Wainwright. With a career spanning more than four decades, Wainwright has established himself as one of the most enduring singer-songwriters who emerged from the late 1960s. Not only does he perform regularly across America and in Europe, but he is a sought-after actor, having appeared in many movies and TV series. There is probably no singer-songwriter who has so blatantly inserted himself into his songs. The songs can be laugh-out-loud funny, but they also can cut to the bone. In this memoir, Wainwright details the family history his lyrics have referenced and the fractured relationships among generations: the alcoholism, the infidelities, the competitiveness--as well as the closeness, the successes, and the joy. Wainwright reflects on the experiences that have influenced his work, including boarding school, the music business, swimming, macrobiotics, sex, incarceration, and something he calls Sir Walter Raleigh Syndrome. Wainwright writes poignantly about being a son--a status that dominates many of his songs--but also about being a parent, a brother, and a grandfather. His lyrics are featured throughout the book, amplifying his prose and showing the connections between the songs and real life. Wainwright also includes selections from his father's brilliant Life magazine columns--and, in so doing, reestablishes his father as a major essayist of his era. A funny and insightful meditation on family, inspiration, and art, Liner Notes will thrill fans, readers, and anyone who appreciates the intersection of music and life.
ONE OF BUSTLE'S BOOKS TO READ BEFORE OSCAR SEASON IS OVER
The true story that inspired the major motion picture starring Bryan Cranston and Helen Mirren.
Dalton Trumbo was the central figure in the "Hollywood Ten," the blacklisted and jailed screenwriters. One of several hundred writers, directors, producers, and actors who were deprived of the opportunity to work in the motion picture industry from 1947 to 1960, he was the first to see his name on the screen again. When that happened, it was Exodus, one of the year's biggest movies.
This intriguing biography shows that all his life Trumbo was a radical of the homegrown, independent variety. From his early days in Colorado, where his grandfather was a county sheriff, to Los Angeles, where he organized a bakery strike, to bootlegging, to Hollywood, where he was the highest-paid screenwriter when he was blacklisted (and a man with constant money problems), his life rivaled anything he had written. His credits include Kitty Foyle, The Brave One, Thirty Seconds Over Tokyo, Spartacus, Lonely are the Brave, and Papillon, and he is the author of a power pacifist novel, Johnny Got His Gun.