The highly acclaimed debut from an author profiled by the New Yorker as her country's "unlikely literary star," Last Night in Nuuk follows the lives of five young Greenlanders exploring their identities at the cusp of adulthood.
Niviaq Korneliussen is a ground-breaking young writer hailed for creating "[her] own genre" (Politiken, Denmark) in her witty and fearless debut Last Night in Nuuk. A work of daring invention about young life in Greenland, Korneliussen brilliantly weaves together the coming of age of five young people in the capital city, Nuuk. Fia has recently sworn off sausage (men) only to discover that the woman she wants is unavailable. Arnaq struggles to cope with her past as her hard-partying life spirals out of control and she betrays those she loves most. Inuk, Fia's brother, is forced to escape Greenland after political scandal implicates him, and confronts the true meaning of home. Meanwhile, Ivik and Sara must confront an important transition in their relationship. In a collection of blurry nights and bleary mornings after, Korneliussen creates a Greenlandic literature unlike any we have known before--young, urbane, stream-of-consciousness, studded with textspeak and delirious with nightlife.
With vibrant imagery and daring prose, Korneliussen writes unforgettably about finding yourself and growing into the person you were meant to be. A stunning debut from a brave new voice, Last Night in Nuuk is a dashing entrance onto the literary scene and establishes her as a voice that cannot be ignored.
'My brother is adopted, but I can't say and don't want to say that my brother is adopted. If I say this, if I speak these words that I have long taken care to silence, I reduce my brother to a single categorical condition, a single essential attribute...'
A young couple, involved in the struggle against the military dictatorship in 1970s Argentina, must flee the country. The brutality and terror of the regime is closing in around them. Friends are being 'disappeared'. Their names are on a list. Time is running out. When they leave, they take with them their infant son, adopted after years of trying for a child without success. They build a new life in Brazil and things change radically. The family grows as the couple have two more children: a son and a daughter.
Resistance unfolds as an intimate portrayal of the formation of a family under extraordinary circumstances, told from the point of view of the youngest child. It's an examination of identity, of family bonds, of the different forms that exile can take, of what it means to belong to a place, to a family, to your own past.
Already the winner of numerous international prizes, Resistance demonstrates remarkable courage and skill by one of Brazil's rising literary stars.
'A brilliant achievement.' Le Monde
Named in The Guardian's'Best fiction for 2018'
*2018 Los Angeles Times Book Prize Finalist
*Longlisted for The Crook's Corner Book Prize
*Longlisted for the 2019 VCU Cabell First Novelist Award
*A Best Book of 2018 --Kirkus Reviews, BuzzFeed News, Entropy, LitReactor, LitHub
*35 Over 35 Award 2018
*One of the Most Anticipated Books of the Fall --Vulture, Harper's BAZAAR, BuzzFeed News, Publishers Weekly, The Millions, Bustle, Fast Company
It's 16-year-old Edie who finds their mother Marianne dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs, 14-year-old Mae had fallen into one of her trances, often a result of feeling too closely attuned to her mother's dark moods. After Marianne is unwillingly admitted to a mental hospital, Edie and Mae are forced to move from their childhood home in Louisiana to New York to live with their estranged father, Dennis, a former civil rights activist and literary figure on the other side of success.
The girls, grieving and homesick, are at first wary of their father's affection, but soon Mae and Edie's close relationship begins to fall apart--Edie remains fiercely loyal to Marianne, convinced that Dennis is responsible for her mother's downfall, while Mae, suffocated by her striking resemblances to her mother, feels pulled toward their father. The girls move in increasingly opposing and destructive directions as they struggle to cope with outsized pain, and as the history of Dennis and Marianne's romantic past clicks into focus, the family fractures further.
Moving through a selection of first-person accounts and written with a sinister sense of humor, The Deeper the Water the Uglier the Fish powerfully captures the quiet torment of two sisters craving the attention of a parent they can't, and shouldn't, have to themselves. In this captivating debut, Katya Apekina disquietingly crooks the lines between fact and fantasy, between escape and freedom, and between love and obsession.
"The structure, characters and storyline are all refreshingly original, and the writing is nothing short of gorgeous. It's a stunningly accomplished book, and Apekina isn't afraid to grab her readers by the hand and take them to some very dark and very beautiful places."
--Michael Schaub, NPR
"SPRAWL in fact does not sprawl at all; rather, it radiates with control and fresh, strange reflection." --Bookforum
"Reads as if Gertrude Stein channeled Alice B. Toklas writing an Arcades Project set in contemporary suburbia." --The Believer
When Danielle Dutton's SPRAWL first broke upon the world in 2010, critics likened it to collage, a poetics of the suburbs, a literal unpacking of et cetera. This updated edition, with a new afterword by Renee Gladman, reopens the space of SPRAWL's "fierce, careful composition"--as Bookforum wrote--"which changes the ordinary into the wonderful and odd."
Today I fell asleep in the tall grass near the old train station. It was a complete picture. A fashionable park. Yet the picture had its sordid and selfish aspect. I can't seem to say what I mean, Mrs. Barbauld, but with some urgency I mean to inform you what a triumph the big city has become. I am a secular individual but even I can feel the shift in the horizon utterly alien to the constitution of things, the habitual. Sincerely, etc. I move in shade on the edge of a parking lot under walnut trees in the early morning around the edge of a curve in an accidental manner. I walk the sidewalk and ripple the surface of it. From this condition I have a view of the world.
Danielle Dutton is the author of Margaret the First, SPRAWL, and Attempts at a Life. Her writing has also appeared or is forthcoming in The Paris Review, Harper's, The White Review, Fence, BOMB, and others. She is on the faculty of the writing program at Washington University in St. Louis and is co-founder and editor of the feminist press Dorothy, a publishing project.
Named 1 of 10 Top Fiction Titles of 2017 by the Wall Street Journal
Named 1 of 50 Notable Works of Fiction in 2017 by The Washington Post
A New York Times Book Review Paperback Row Selection
A Newsday Best Book of 2017
A Kirkus Best Book of 2017
A New York Times Book Review Editor's Choice One of our most gifted writers of fiction returns with a bold and piercing novel about a young single mother living in New York, her eccentric aunt, and the decisions they make that have unexpected implications for the world around them. Reyna knows her relationship with Boyd isn't perfect, yet as she visits him throughout his three-month stint at Rikers Island, their bond grows tighter. Kiki, now settled in the East Village after a journey that took her to Turkey and around the world, admires her niece's spirit but worries that she always picks the wrong man. Little does she know that the otherwise honorable Boyd is pulling Reyna into a cigarette smuggling scheme, across state lines, where he could risk violating probation. When Reyna ultimately decides to remove herself for the sake of her four-year-old child, her small act of resistance sets into motion a tapestry of events that affect the lives of loved ones and strangers around them. A novel that examines conviction, connection, and the possibility of generosity in the face of loss, Improvement is as intricately woven together as Kiki's beloved Turkish rugs, as colorful as the tattoos decorating Reyna's body, with narrative twists and turns as surprising and unexpected as the lives all around us. The Boston Globe says of Joan Silber: "No other writer can make a few small decisions ripple across the globe, and across time, with more subtlety and power." Improvement is Silber's most shining achievement yet. "This is a novel of richness and wisdom and huge pleasure. Silber knows, and reveals, how close we live to the abyss, but she also revels in joy, particularly the joy that comes from intimate relationships . . . [A] perfectly balanced mix of celebration and wryness." --The New York Times Book Review "[I]t feels vital to love Silber's work. . . Now is the moment to appreciate that she is here, in our midst: our country's own Alice Munro. Silber's great theme as a writer is the way in which humans are separated from their intentions, by desires, ideas, time. . . Like Grace Paley and Lucia Berlin, she's a master of talking a story past its easiest meaning; like Munro, a master of the compression and dilation of time, what time and nothing else can reveal to people about themselves." --Washington Post
Claudine has always been pretty and Pauline has always been ugly. But when Claudine wants to become famous, she enlists gloomy Pauline--with her angelic voice--into pretending they're the same person. Yet just as things take off, Claudine commits suicide. Pauline hatches a new scheme, pulling on her dead sister's identity, inhabiting her apartment, and reading her mail. As the impersonation continues, Pauline slowly realizes that the cost of femininity is to dazzle on the outside while rotting away on the inside--and that womanhood is what ultimately killed her sister.
"Here are stories to read again and again. Here is language to live in. David Hayden is a serious force."--Sam Lipsyte, author of The Fun Parts
Driven hypnotically forward by a powerful, deeply felt narrative force, the stories in this debut collection pull off that rare trick of captivating the reader, while twisting the form into truly new shapes. With an imagist's flair for photographic observation and unsettling, often startling, emotional landscapes, Darker With the Lights On introduces a mesmeric new literary talent with seismic potential.
In these nine stunningly original, provocative, and poignant stories, Ted Chiang tackles some of humanity's oldest questions along with new quandaries only he could imagine. In "The Merchant and the Alchemist's Gate," a portal through time forces a fabric seller in ancient Baghdad to grapple with past mistakes and second chances. In "Exhalation," an alien scientist makes a shocking discovery with ramifications that are literally universal. In "Anxiety Is the Dizziness of Freedom," the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will. Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic--revelatory.
This is the story, written forty years later, of a trauma Ernaux never overcame. In a France where abortion was illegal, she attempted, in vain, to self-administer the abortion with a knitting needle. Fearful and desperate, she finally located an abortionist, and ends up in a hospital emergency ward where she nearly dies.
In Happening, Ernaux sifts through her memories and her journal entries dating from those days. Clearly, cleanly, she gleans the meanings of her experience.
"Hosseini's story, aimed at readers of all ages, does not dwell on nightmarish fates; instead, its emotional power flows from the love of a father for his son."- Publishers Weekly, STARRED BOX Review A short, powerful, illustrated book written by beloved novelist Khaled Hosseini in response to the current refugee crisis, Sea Prayer is composed in the form of a letter, from a father to his son, on the eve of their journey. Watching over his sleeping son, the father reflects on the dangerous sea-crossing that lies before them. It is also a vivid portrait of their life in Homs, Syria, before the war, and of that city's swift transformation from a home into a deadly war zone. Impelled to write this story by the haunting image of young Alan Kurdi, the three-year-old Syrian boy whose body washed upon the beach in Turkey in September 2015, Hosseini hopes to pay tribute to the millions of families, like Kurdi's, who have been splintered and forced from home by war and persecution, and he will donate author proceeds from this book to the UNHCR (the UN Refugee Agency) and The Khaled Hosseini Foundation to help fund lifesaving relief efforts to help refugees around the globe. Khaled Hosseini is one of the most widely read writers in the world, with more than fifty-five million copies of his novels sold worldwide in more than seventy countries. Hosseini is also a Goodwill Envoy to the UNHCR, and the founder of The Khaled Hosseini Foundation, a nonprofit that provides humanitarian assistance to the people of Afghanistan.
Shortlisted for the 2019 Amazon First Novel Award
Shortlisted for the 2019 Kobo Emerging Writer Prize
Winner of the 2019 Indigenous Voices Award for Published Prose in English
Winner of the 2018 Alcuin Society Awards for Excellence in Book Design - Prose Fiction
Longlisted for the 2019 Sunburst Award From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you've ever read. Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them. A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this. Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains. Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.
One of the Best Books of the Year: NPR, The Economist, Financial Times Shortlisted for the Costa Novel Award
Finalist for the Women's Prize for Fiction Here is the story of the Iliad as we've never heard it before: in the words of Briseis, Trojan queen and captive of Achilles. Given only a few words in Homer's epic and largely erased by history, she is nonetheless a pivotal figure in the Trojan War. In these pages she comes fully to life: wry, watchful, forging connections among her fellow female prisoners even as she is caught between Greece's two most powerful warriors. Her story pulls back the veil on the thousands of women who lived behind the scenes of the Greek army camp--concubines, nurses, prostitutes, the women who lay out the dead--as gods and mortals spar, and as a legendary war hurtles toward its inevitable conclusion. Brilliantly written, filled with moments of terror and beauty, The Silence of the Girls gives voice to an extraordinary woman--and makes an ancient story new again.