On June 14, 1940, German tanks rolled into a silent and deserted Paris. Eight days later, a humbled France accepted defeat along with foreign occupation. While the swastika now flew over Paris, the City of Light was undamaged, and soon a peculiar kind of normalcy returned as theaters, opera houses, movie theaters, and nightclubs reopened for business. Shedding light on this critical moment of twentieth-century European cultural history, And the Show Went On focuses anew on whether artists and writers have a special duty to show moral leadership in moments of national trauma.
Serving for seventeen months during the period between the British surrender at Yorktown and the signing of the final treaty, a time when peace was far from secure, Deborah Sampson accomplished her deception by becoming an outstanding soldier. Alfred Young shows us why she did it and exactly how she carried it off. He meticulously reconstructs her early life as an indentured servant; her young adulthood as a weaver, teacher, and religious rebel; and her military career in the light infantry- consisting of dangerous patrols and small-party encounters, duty that demanded constant vigilance- followed by service as an orderly to a general at West Point.
Young also examines her postwar life as a wife- Mrs. Benjamin Gannett- and mother on a hardscrabble farm in southeastern Massachusetts, her collaboration with Herman Mann on the book that made her a celebrity and sent her on a pathbreaking yearlong lecture tour through New England and New York in 1802-- 03, and her relentless and partially successful quest for veterans' benefits. He looks, too, at how Americans have dealt with Sampson in public memory and have appropriated her for a number of causes over the past two hundred years.
Throughout we are aware of the historian as detective, as Young carefully sifts through layers of fact and fiction to reveal a fascinating, complex, and unusual woman who lived in an era that both opened opportunities to and imposed limitations on women.
#1 NEW YORK TIMES BESTSELLER
The magnificent conclusion to Rick Atkinson's acclaimed Liberation Trilogy about the Allied triumph in Europe during World War II
It is the twentieth century's unrivaled epic: at a staggering price, the United States and its allies liberated Europe and vanquished Hitler. In the first two volumes of his bestselling Liberation Trilogy, Rick Atkinson recounted how the American-led coalition fought through North Africa and Italy to the threshold of victory. Now, in The Guns at Last Light, he tells the most dramatic story of all--the titanic battle for Western Europe.
D-Day marked the commencement of the final campaign of the European war, and Atkinson's riveting account of that bold gamble sets the pace for the masterly narrative that follows. The brutal fight in Normandy, the liberation of Paris, the disaster that was Operation Market Garden, the horrific Battle of the Bulge, and finally the thrust to the heart of the Third Reich--all these historic events and more come alive with a wealth of new material and a mesmerizing cast of characters. Atkinson tells the tale from the perspective of participants at every level, from presidents and generals to war-weary lieutenants and terrified teenage riflemen. When Germany at last surrenders, we understand anew both the devastating cost of this global conflagration and the enormous effort required to win the Allied victory.
With the stirring final volume of this monumental trilogy, Atkinson's accomplishment is manifest. He has produced the definitive chronicle of the war that unshackled a continent and preserved freedom in the West.
One of The Washington Post's Top 10 Books of the Year
A Kirkus Reviews Best Nonfiction Book of 2013
The Soul of Battle: From Ancient Times to the Present Day, Three Great Liberators Vanquished Tyranny
Eminently qualified to write this history, Davidson--who served as chief intelligence officer under Generals Westmoreland and Abrams--tells firsthand the story of our tragic ordeal in Indochina and brings his unique understanding to bear on topics of continuing controversy, offering a chilling account, for example, of when and where the U.S. considered using nuclear weapons. The most comprehensive and authoritative history of the conflict to date, Vietnam at War sparkles with a rare immediacy, and brings to life in compelling fashion the war that tore America apart. We witness the chaos in Saigon when fireworks celebrating the Tet holiday are suddenly transformed into deadly rocket and machine-gun fire. We sit in on high-level meetings where General Westmoreland plans operations, or simply engages in some tough "headknocking" with subordinates. And in the end we learn that even the seemingly limitless resources of the U.S. military could not match the revolutionary "grand strategy" of the North Vietnamese.
With its easy movement from intimate memoir to trenchant military analysis, from the conference rooms of generals to the battle-scarred streets of Hue, this is military history at its most gripping. A monumental, engrossing, and unforgettable chronicle, Vietnam at War is indispensable for anyone hoping to understand a conflict that still rages in the American psyche.
With unsparing honesty and surprising humor, Ladin wrestles with both the practical problems of gender transition and the larger moral, spiritual, and philosophical questions that arise. Ladin recounts her struggle to reconcile the pain she experienced living as the "wrong" gender with the pain of her children in losing the father they love. We eavesdrop on her lifelong conversations with the God whom she sees both as the source of her agony and as her hope for transcending it. We look over her shoulder as she learns to walk and talk as a woman after forty-plus years of walking and talking as a man. We stare with her into the mirror as she asks herself how the new self she is creating will ever become real.
Ladin's poignant memoir takes us from the death of living as the man she knew she wasn't, to the shattering of family and career that accompanied her transition, to the new self, relationships, and love she finds when she opens the door of life.
"The Battle of Salamis" features some of the most fascinating figures in the ancient world: Themistocles, the Athenian commander who masterminded the victory (and tricked his fellow Greeks into fighting); Xerxes, the Persian king who understood land but not naval warfare; Aeschylus, the Greek playwright who took part at Salamis and later immortalized it in drama; and Artemisia, the half-Greek queen who was one of Xerxes' trusted commanders and who turned defeat into personal victory.
In his riveting story of this clash on the Greek seas, classicist and historian Barry Strauss offers a new in-depth account of the ancient battle. Drawing on recent work in archaeology, meteorology, and forensic science as well as on his own experience as a rower (both navies were oar powered), Strauss revises our understanding of one of history's pivotal wars and of Herodotus's classic if underrated account of it. But in addition to being exciting military history, "The Battle of Salamis" is also a vivid analysis of ancient culture.