An O, The Oprah Magazine Terrific Read of the Year
A Huffington Post Best Book of the Year
A New Yorker Favorite Book of the Year
A Chicago Tribune Favorite Nonfiction Book of the Year
A Kansas City Star Best Book of the Year
A San Francisco Chronicle Best Book of the Year
An Entertainment Weekly Best Book of the Decade
In This Common Secret Dr. Susan Wicklund chronicles her emotional and dramatic twenty-year career on the front lines of the abortion war. Growing up in working class, rural Wisconsin, Wicklund had her own painful abortion at a young age. It was not until she became a doctor that she realized how many women shared her ordeal of an unwanted pregnancy--and how hidden this common experience remains.
This is the story of Susan's love for a profession that means listening to women and helping them through one of the most pivotal and controversial events in their lives. Hers is also a calling that means sleeping on planes and commuting between clinics in different states--and that requires her to wear a bulletproof vest and to carry a .38 caliber revolver. This is also the story of the women whom Susan serves, women whose options are increasingly limited.
Through these intimate, complicated, and inspiring accounts, Wicklund reveals the truth about the women's clinics that anti-abortion activists portray as little more than slaughterhouses for the unborn. As we enter the most fevered political fight over abortion America has ever seen, this raw and powerful memoir shows us what is at stake.
Conway took on the helm at Smith at the height of exploding culture wars and the rising popularity of coeducation. With the college's future at stake, she battled conservative faculty, ossified traditions, and doubtful funders to turn Smith into a place committed to preparing young women for the new realities of the future. Through it all, Conway served as an inspiration to thousands of students, while balancing the demands of her public role against the private pressures of coping with her husband's bipolar disorder. A moving tribute to the value of single-sex education and to one woman's achievements, A Woman's Education is sure to become a classic.
Fourteen years before Kirsten Gillibrand succeeded Hillary Rodham Clinton as senator from New York, she heard her future mentor say these life-changing words: Decisions are being made every day in Washington, and if you are not part of those decisions, you might not like what they decide, and you ll have no one to blame but yourself. A young corporate lawyer at the time, Gillibrand felt as if she d been struck by lightning. She instantly knew that her voice "all" women s voices were essential to shaping the future of this country, and that she had a greater purpose in life: to speak up and effect change. Now, in this extraordinary memoir, the senator, wife, and mother of two recounts her personal journey in public service and galvanizes women to reach beyond their busy lives and make a meaningful difference in the world around them.
Off the Sidelines "is a playbook for women who want to step up, whether in Congress or the boardroom or the local PTA. If women were fully represented in politics, Gillibrand says, national priorities would shift to issues that directly impact them: affordable daycare, paid family medical leave, and equal pay. Pulling back the curtain on Beltway politics, she speaks candidly about her legislative successes (securing federally funded medical care for 9/11 first responders, repealing Don t Ask, Don t Tell) and her crushing disappointments (failing by five votes to pass a bill protecting survivors of sexual assault in the military).
Gillibrand also shares stories of growing up the daughter and granddaughter of two trailblazing feminists in a politically active family in Albany, New York, and retraces her nonlinear path to public office. She lays bare the highs and lows of being a young (pregnant!) woman in Congress, the joys and sacrifices every working mother shares, and the support system she turns to in her darkest moments: her husband, their two little boys, and lots of girlfriends.
In "Off the Sidelines, "Gillibrand is the tough-love older sister and cheerleader every woman needs. She explains why ambition is not a dirty word, failure is a gift, listening is the most effective tool, and the debate over women having it all is absurd at best and demeaning at worst. In her sharp, honest, and refreshingly relatable voice, she dares us all to tap into our inner strength, find personal fulfillment, and speak up for what we believe in.
Praise for "Off the Sidelines"
Gillibrand has written a handbook for the next generation of women to redefine their role in our world. Arianna Huffington
There are moments of immensely appealing self-disclosure that seldom appear in other books of this genre. . . . This isn t your mother s political memoir. "The New York Times Book Review"
Kirsten Gillibrand is a beautiful example of what we can become when we are true to ourselves and brave enough to let our voices be heard. This book is intimately honest and deeply insightful. Connie Britton
One of the most helpful, readable, down-to-earth, and truly democratic books ever to come out of the halls of power. Gloria Steinem
A powerful message . . . Gillibrand [is] a fearless advocate for women. "Marie Claire
With her new memoir, Sen. Kirsten Gillibrand seems to be taking a page out of the presidential playbook. . . . In style, however, Gillibrand s book differs significantly from previous political memoirs. Hers is a quick read, chatty, candid. "The Washington Post""
"I was born a boy, raised as a girl. . . . One may raise a healthy boy in as womanish a manner as one wishes, and a female creature in as mannish; never will this cause their senses to remain forever reversed."
So writes the pseudonymous N. O. Body, born in 1884 with ambiguous genitalia and assigned a female identity in early infancy. Brought up as a girl, "she" nevertheless asserted stereotypical male behavior from early on. In the end, it was a passionate love affair with a married woman that brought matters to a head. Desperately confused, suicidally depressed, and in consultation with Magnus Hirschfeld, one of the most eminent and controversial sexologists of the day, "she" decided to become "he."
Originally published in 1907 and now available for the first time in English, Memoirs of a Man's Maiden Years describes a childhood and youth in Kaiser Wilhelm's Germany that is shaped by bourgeois attitudes and stifled by convention. It is, at the same time, a book startlingly charged with sexuality. Yet, however frank the memoirist may be about matters physical or emotional, Hermann Simon reveals in his afterword the full extent of the lengths to which N. O. Body went to hide not just his true name but a second secret, his Jewish identity. And here, Sander L. Gilman suggests in his brilliant preface, may lie the crucial hint to solving the real riddle of the ambiguously gendered N. O. Body.
The recent renewal of interest in Max Weber evidences an attempt to enlist his thought in the service of a renewed dream of Enlightenment individualism. Yet he was the first twentieth-century thinker to fully appreciate the pervasiveness and ambiguity of rationalization which threatened to undermine the hopes of the Enlightenment.
Asher Horowitz and Terry Maley present a collection of essays tracing the contemporary significance of Weber's work for the tradition of Enlightenment political thought and its critiques. In its critical inquiry into Weber's thought, The Barbarism of Reason continues the exploration of the limits and prospects of politics in a rationalizing society.
The first section comprises a set of both historical and philosophical reflections on the political implications of Weber's central concepts such as disenchantment, rationality, and affectivity, the historical understanding, meaning, and domination. The second section examines the institutional and historical context that framed Weber's inquiries into structures of the modern mode of domination, as well as his understanding of the nature of the modern state. Among the topics broached are Weber's strategic intervention into the development of the liberal theory of the state as well as a critical examination of the theoretical and pre-theoretical roots of his construction of the subject. Another of the essays reveals the schizophrenic structure of modern subjectivity. The third and last section attempts to trace the vicissitudes of Weber's seminal problems concerning rationalization, power, and disenchantment through some of the most important responses to his work in the twentieth century.
Not only do we meet Elizabeth Hemings--the family matriarch and mother to twelve children, six by John Wayles, a poor English immigrant who rose to great wealth in the Virginia colony--but we follow the Hemings family as they become the property of Jefferson through his marriage to Martha Wayles. The Hemings-Wayles children, siblings to Martha, played pivotal roles in the life at Jefferson's estate.
We follow the Hemingses to Paris, where James Hemings trained as a chef in one of the most prestigious kitchens in France and where Sally arrived as a fourteen-year-old chaperone for Jefferson's daughter Polly; to Philadelphia, where James Hemings acted as the major domo to the newly appointed secretary of state; to Charlottesville, where Mary Hemings lived with her partner, a prosperous white merchant who left her and their children a home and property; to Richmond, where Robert Hemings engineered a plan for his freedom; and finally to Monticello, that iconic home on the mountain, from where most of Jefferson's slaves, many of them Hemings family members, were sold at auction six months after his death in 1826.
As The Hemingses of Monticello makes vividly clear, Monticello can no longer be known only as the home of a remarkable American leader, the author of the Declaration of Independence; nor can the story of the Hemingses, whose close blood ties to our third president have been expunged from history until very recently, be left out of the telling of America's story. With its empathetic and insightful consideration of human beings acting in almost unimaginably difficult and complicated family circumstances, The Hemingses of Monticello is history as great literature. It is a remarkable achievement.
In a shattering work that shifts between a woman's private anguish over the loss of her beloved baby cousin and a scholar's fierce critique of the American prison system, Danielle Allen seeks answers to what, for many years, felt unanswerable. Why? Why did her cousin, a precocious young man who dreamed of being a firefighter and a writer, end up dead? Why did he languish in prison? And why, at the age of fifteen, was he in an alley in South Central Los Angeles, holding a gun while trying to steal someone's car?
Cuz means both "cousin" and "because." In this searing memoir, Allen unfurls a "new American story" about a world tragically transformed by the sudden availability of narcotics and the rise of street gangs--a collision, followed by a reactionary War on Drugs, that would devastate not only South Central L.A. but virtually every urban center in the nation. At thirteen, sensitive, talkative Michael Allen was suddenly tossed into this cauldron, a violent world where he would be tried at fifteen as an adult for an attempted carjacking, and where he would be sent, along with an entire generation, cascading into the spiral of the Los Angeles prison system.
Throughout her cousin Michael's eleven years in prison, Danielle Allen--who became a dean at the University of Chicago at the age of thirty-two--remained psychically bonded to her self-appointed charge, visiting Michael in prison and corresponding with him regularly. When she finally welcomed her baby cousin home, she adopted the role of "cousin on duty," devotedly supporting Michael's fresh start while juggling the demands of her own academic career.
As Cuz heartbreakingly reveals, even Allen's devotion, as unwavering as it was, could not save Michael from the brutal realities encountered by newly released young men navigating the streets of South Central. The corrosive entanglements of gang warfare, combined with a star-crossed love for a gorgeous woman driving a gold Mercedes, would ultimately be Michael's undoing.
In this Ellisonian story of a young African American man's coming-of-age in late twentieth-century America, and of the family who will always love Michael, we learn how we lost an entire generation.
Here is the remarkable true story of the real Count of Monte Cristo a stunning feat of historical sleuthing that brings to life the forgotten hero who inspired such classics as"The Count of Monte Cristo"and"The Three Musketeers."
The real-life protagonist of"The Black Count," General Alex Dumas, is a man almost unknown today yet with a story that is strikingly familiar, because his son, the novelist Alexandre Dumas, used it to create some of the best loved heroes of literature.
Yet, hidden behind these swashbuckling adventures was an even more incredible secret: the real hero was the son of a black slave -- who rose higher in the white world than any man of his race would before our own time.
Born in Saint-Domingue (now Haiti), Alex Dumas was briefly sold into bondage but made his way to Paris where he was schooled as a sword-fighting member of the French aristocracy. Enlisting as a private, he rose to command armies at the height of the Revolution, in an audacious campaign across Europe and the Middle East until he met an implacable enemy he could not defeat.
The Black Count is simultaneously a riveting adventure story, a lushly textured evocation of 18th-century France, and a window into the modern world s first multi-racial society. But it is also a heartbreaking story of the enduring bonds of love between a father and son."
--New York Times Book Review
"Justine Bateman was famous before selfies replaced autographs, and bags of fan mail gave way to Twitter shitstorms. And here's the good news: she took notes along the way. Justine steps through the looking glass of her own celebrity, shatters it, and pieces together, beyond the shards and splinters, a reflection of her true self. The transformation is breathtaking. Revelatory and raucous, fascinating and frightening, Fame is a hell of a ride."
--Michael J. Fox, actor, author of A Funny Thing Happened on the Way to the Future
"In a new book, Fame: The Hijacking of Reality, the two-time Emmy nominee takes a raw look at the culture of celebrity, reflecting on her stardom at its dizzying peak--and the 'disconcerting' feeling as it began to fade."
A Book Soup (Los Angeles, CA) best seller, October 15-21, 2018
"As the title Fame: The Hijacking of Reality more than implies, this is a book about the complicated aspects of all things fame."
"Bateman digs into the out-of-control nature of being famous, its psychological aftermath and why we all can't get enough of it."
--New York Post
"The Family Ties alum has written the rawest, bleakest book on fame you're ever likely to read. Bateman's close-up of the celeb experience features vivid encounters with misogyny, painful meditations on aging in Hollywood, and no shortage of theses on social media's wrath."
"Bateman addresses the reader directly, pouring out her thoughts in a rapid-fire, conversational style. (Hunter S. Thompson is saluted in the acknowledgments.)...But her jittery delivery suits the material--the manic sugar high of celebrity and its inevitable crash. Bateman takes the reader through her entire fame cycle, from TV megastar, whose first movie role was alongside Julia Roberts, to her quieter life today as a filmmaker. She is as relentless with herself as she is with others."
"While Bateman's new book Fame: The Hijacking of Reality (out now) touches on the former teen starlet's experience in the public eye, it's not a memoir. Far from it, in fact--it's instead an intense meditation on the nature of fame, and a glimpse into the repercussions it has on both the individual experiencing it and the society that keeps the concept alive."
"Bateman takes an unsentimental look at the nature of celebrity worship in her first book, Fame: The Hijacking of Reality."
Entertainment shows, magazines, websites, and other channels continuously report the latest sightings, heartbreaks, and triumphs of the famous to a seemingly insatiable public. Millions of people go to enormous lengths to achieve Fame. Fame is woven into our lives in ways that may have been unimaginable in years past.
And yet, is Fame even real? Contrary to tangible realities, Fame is one of those "realities" that we, as a society, have made. Why is that and what is it about Fame that drives us to spend so much time, money, and focus to create the framework that maintains its health?
Mining decades of experience, writer, director, producer, and actress Justine Bateman writes a visceral, intimate look at the experience of Fame. Combining the internal reality-shift of the famous, theories on the public's behavior at each stage of a famous person's career, and the experiences of other famous performers, Bateman takes the reader inside and outside the emotions of Fame. The book includes twenty-four color photographs to highlight her analysis.
How to Be Married: What I Learned from Real Women on Five Continents About Surviving My First (Really Hard) Year of Marriage
The Lovers Lib/E: Afghanistan's Romeo and Juliet, the True Story of How They Defied Their Families and Escaped an Honor Killing
A riveting, real-life equivalent of The Kite Runner--an astonishingly powerful and profoundly moving story of a young couple willing to risk everything for love that puts a human face on the ongoing debate about women's rights in the Muslim world.
Zakia and Ali were from different tribes, but they grew up on neighboring farms in the hinterlands of Afghanistan. By the time they were young teenagers, Zakia, strikingly beautiful and fiercely opinionated, and Ali, shy and tender, had fallen in love. Defying their families, sectarian differences, cultural conventions, and Afghan civil and Islamic law, they ran away together only to live under constant threat from Zakia's large and vengeful family, who have vowed to kill her to restore the family's honor. They are still in hiding.
Despite a decade of American good intentions, women in Afghanistan are still subjected to some of the worst human rights violations in the world. Rod Nordland, then the Kabul bureau chief of the New York Times, had watched these abuses unfold for years when he came upon Zakia and Ali, and has not only chronicled their plight, but has also shepherded them from danger.
The Lovers will do for women's rights generally what Malala's story did for women's education. It is an astonishing story about self-determination and the meaning of love that illustrates, as no policy book could, the limits of Western influence on fundamentalist Islamic culture and, at the same time, the need for change.
Discussions of class make many Americans uncomfortable. This accessible book makes class visible in everyday life. Solely identifying political and economic inequalities between classes offers an incomplete picture of class dynamics in America, and may not connect with people's lived experiences. In Reading Classes, Barbara Jensen explores the anguish caused by class in our society, identifying classism--or anti-working class prejudice--as a central factor in the reproduction of inequality in America. Giving voice to the experiences and inner lives of working-class people, Jensen--a community and counseling psychologist--provides an in-depth, psychologically informed examination of how class in America is created and re-created through culture, with an emphasis on how working- and middle-class cultures differ and conflict. This book is unique in its claim that working-class cultures have positive qualities that serve to keep members within them, and that can haunt those who leave them behind.
Through both autobiographical reflections on her dual citizenship in the working class and middle class and the life stories of students, clients, and relatives, Jensen brings into focus the clash between the realities of working-class life and middle-class expectations for working-class people. Focusing on education, she finds that at every point in their personal development and educational history, working-class children are misunderstood, ignored, or disrespected by middle-class teachers and administrators. Education, while often hailed as a way to "cross classes," brings with it its own set of conflicts and internal struggles. These problems can lead to a divided self, resulting in alienation and suffering for the upwardly mobile student. Jensen suggests how to increase awareness of the value of working-class cultures to a truly inclusive American society at personal, professional, and societal levels.