From the McDonald s hot coffee case to the cattle ranchers beef with Oprah Winfrey, from the old English "Assize of Bread" to current nutrition labeling laws, what we eat and how we eat are shaped as much by legal regulations as by personal taste. Barry M. Levenson, the curator of the world-famous (really ) Mount Horeb Mustard Museum and a self-proclaimed "recovering lawyer," offers in Habeas Codfish an entertaining and expert overview of the frustrating, frightening, and funny intersections of food and the law.
Discover how Mr. Peanut shaped the law of trademark infringement for the entire food industry. Consider the plight of the restaurant owner besmirched by a journalist s negative review. Find out how traditional Jewish laws of kashrut ran afoul of the First Amendment. Prison meals, butter vs. margarine, definitions of organic food, undercover ABC reporters at the Food Lion, the Massachusetts Supreme Court case that saved fish chowder, even recipes it s all in here, so tuck in
What are the fundamental differences between classic and baroque art? Is there a pattern underlying the seemingly helter-skelter development of art in different cultures and at different times? What causes our entirely different reactions to precisely the same painting or to the same painter?
In this now-classic treatise, published originally in Germany in the early 1920s, Professor Wölfflin provides an objective set of criteria to answer these and related questions. Examining such factors as style, quality, and mode of representation in terms of five opposed dynamisms (the linear vs. painterly, plane vs. recession, closed vs. open form, multiplicity vs. unity, and clearness vs. unclearness), the author analyzes the work of 64 major artists, delving even into sculpture and architecture. 150 illustrations of the work of Botticelli, van Cleve, Durer, Holbein, Brueghel, Bouts, Hals, Rembrandt, Velasquez, Titian, Vermeer, and other major figures accompany Professor Wölfflin's brilliant contributions to the methodology of art criticism.
Whether you teach art, study it, or want to understand it purely for your own enjoyment, this epoch-making study will certainly increase your comprehension of and pleasure in the world's art heritage.
Fotofest H2O 04: Celebrating Water: Tenth International Biennial of Photography and Photo-Related Art
Cut in Half: The Hidden World Inside Everyday Objects (Pop Science and Photography Gift Book, How Things Work Book)
Baltimore has a long, colorful history that traditionally has been focused on famous men, social elites, and patriotic events. "The Baltimore Book" is both a history of "the other Baltimore" and a tour guide to places in the city that are important to labor, African American, and women's history. The book grew out of a popular local bus tour conducted by public historians, the People's History Tour of Baltimore, that began in 1982. This book records and adds sites to that tour; provides maps, photographs, and contemporary documents; and includes interviews with some of the uncelebrated people whose experiences as Baltimoreans reflect more about the city than Francis Scott Key ever did.
The tour begins at the B&O Railroad Station at Camden Yards, site of the railroad strike of 1877, moves on to Hampden-Woodbury, the mid-19th century cotton textile industry's company town, and stops on the way to visit Evergreen House and to hear the narratives of ex-slaves. We travel to Old West Baltimore, the late 19th-century center of commerce and culture for the African American community; Fells Point; Sparrows Point; the suburbs; Federal Hill; and Baltimore's "renaissance" at Harborplace. Interviews with community activists, civil rights workers, Catholic Workers, and labor union organizers bring color and passion to this historical tour. Specific labor struggles, class and race relations, and the contributions of women to Baltimore's development are emphasized at each stop.
In the series "Critical Perspectives on the Past," edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig.
This book contains 190 examples exhibiting the wide range of Islamic geometrical art: hexagon designs, octagon designs, dodecagon designs, combinations of stars and rosettes (of many variations), combinations of squares and octagons, heptagon designs, and pentagon designs. These fundamental shapes give rise to hundreds of different designs, and merely altering an angle or curving a straight line can create an entirely new pattern. When transferred to metal, wood, stucco, mosaic, and paint, these patterns make up the elaborate ornamentation for which Arabic architecture is noted, and twenty-eight examples of actual applications from Cairo and Damascus are included: sanctuary doors, openwork windows, inlaid marble pavements, and ceilings.
The reader may wish to try his own hand at drawing patterns, to which purpose dotted construction lines are given for sections of the plates. Artists and designers will appreciate this book as a valuable source for Islamic art and design, which they may use directly or vary at will, and with the added use of color they will find that striking and beautiful results can often be achieved.