These masterfully crafted stories from writers who have served reflect the entire breadth of human emotion--loss, anger, joy, love, fear, and courage--and the evolving nature of what has become America's "Forever War."
From debut writers to experienced contributors whose work has been featured in the New York Times, the Atlantic, and the New Yorker, this exceptional collection promises to be the definitive fictional look at the aftereffects of the Iraq and Afghan Wars, and will resonate with the reader long after the final page.
Including stories by: Elliot Ackerman, Benjamin Busch, Brandon Caro, Maurice Decaul, Teresa Fazio, Thomas Gibbons Neff, Aaron Gwyn, Alex Horton, Matt Robinson, Kristen L. Rouse, Chris Wolfe, Kayla M. Williams, Brandon Willitts, and many others.
"A tasty blend of romance, mystery, and French cooking."--Margaret Atwood, via Twitter The French Riviera, spring 1936: It's off-season in the lovely seaside village of Juan-les-Pins, where seventeen-year-old Ondine cooks with her mother in the kitchen of their family-owned Café Paradis. A mysterious new patron who's slipped out of Paris and is traveling under a different name has made an unusual request--to have his lunch served to him at the nearby villa he's secretly rented, where he wishes to remain incognito. Pablo Picasso is at a momentous crossroads in his personal and professional life--and for him, art and women are always entwined. The spirited Ondine, chafing under her family's authority and nursing a broken heart, is just beginning to discover her own talents and appetites. Her encounter with Picasso will continue to affect her life for many decades onward, as the great artist and the talented young chef each pursue their own passions and destiny. New York, present day: Céline, a Hollywood makeup artist who's come home for the holidays, learns from her mother, Julie, that Grandmother Ondine once cooked for Picasso. Prompted by her mother's enigmatic stories and the hint of more family secrets yet to be uncovered, Céline carries out Julie's wishes and embarks on a voyage to the very town where Ondine and Picasso first met. In the lush, heady atmosphere of the Côte d'Azur, and with the help of several eccentric fellow guests attending a rigorous cooking class at her hotel, Céline discovers truths about art, culture, cuisine, and love that enable her to embrace her own future. Featuring an array of both fictional characters and the French Riviera's most famous historical residents, set against the breathtaking scenery of the South of France, Cooking for Picasso is a touching, delectable, and wise story, illuminating the powers of trust, money, art, and creativity in the choices that men and women make as they seek a path toward love, success, and joie de vivre. Praise for Cooking for Picasso "Intrigue, art, food, and deception are woven together in a tale of love and betrayal around the life and legacy of Picasso. Touching and true, this well-written narrative made me long for my mother's coq au vin and for the sun of Juan-les-Pins."--Jacques Pépin, chef, TV personality, author
A fresh perspective on Hemingway's work
Early in his career, when To Have and Have Not was published, Ernest Hemingway's portrayal of themes, setting, and character was often compared to Cezanne's art - abstract. By contrast, in 1952, with the publication of The Old Man and the Sea, his style was described as comparable to Winslow Homer's - realistic.
At the center of this evolution is the contention that Hemingway's preoccupation with and scientific study of life in the Gulf Stream moved his theory and practice of writing away from the Paris art circle of the 1920s to the new realism of the 1950s. A Sea of Change explores the importance of Hemingway's relationship to the waters of the Gulf Stream that transformed his imaginative work.
Drawing primarily on Ernest Hemingway's handwritten and unpublished fishing logs and from published and unpublished correspondence and newspaper articles, Mark P. Ott structures this literary biography chronologically to tell the story of Hemingway's life as it becomes immersed in the Gulf Stream. Ott connects To Have and Have Not and
The Old Man and the Sea with Hemingway's philosophical and stylistic transformation as he became increasingly educated in the natural world.
A Sea of Change is the first study to examine Hemingway's complex relationship with the Gulf Stream and how it transformed his fiction.
"WORN is reclaiming fashion as something that can be exciting, challenging, different, quirky, interesting, not just as something you have to consume."--Jane Pratt, from her foreword
The WORN Archive: A Fashion Journal about the Arts, Ideas, and History of What We Wear is a manifesto on why fashion and clothing matter. For eight years, the Canadian magazine has investigated the intersections of fashion, pop culture, and art. With prescient, intelligent articles, WORN Fashion Journal strives to address diverse issues such as gender, identity, and culture with openness and honesty. WORN asserts that fashion is art, history, ideas, and most of all fun--that style is a personal experience that need not align with the fashion industry.
The four-hundred-page book features the best content from the journal's first fourteen issues, assembled by WORN'S founder and editor in chief, Serah-Marie McMahon. Articles penned by a host of unique contributors (academics, writers, curators, and artists) touch on topics as wide-ranging as the relationship between feminism and fashion, discourse on hijabs, how to tie a tie, the history of flight attendants, and textile conservation. With eclectic photo shoots featuring "real" models, striking illustrations, and whimsical layouts, every page is a joyful, creative approach to clothing.
The WORN Archive is the ultimate cultural style map for those who don't want to be told how to dress but are seeking a transformative understanding of why we wear what we do.
In between is a grand cavalcade of superbly crafted fiction by Sarah Orne Jewett, Mary E. Wilkins Freeman, Charlotte Perkins Gilman, Kate Chopin, Willa Cather, Alice Dunbar-Nelson, Djuna Barnes, Susan Glaspell and Edith Wharton. Brief biographies of each of the writers are included.
The classic mystery that first featured Harriet Vane, companion sleuth to the dashing, perennially popular private investigator, Lord Peter Wimsey, from the mystery writer widely considered the greatest mystery novelist of the Golden Age--Dorothy L. Sayers.
Featuring an introduction by Elizabeth George, herself a crime fiction master, Strong Poison introduces Harriet Vane, a mystery writer who is accused of poisoning her fiancé and must now join forces with Lord Peter to escape a murder conviction and the hangman's noose.
"It goes and it grips and it moves with all the freshness of youth." -- Rudyard Kipling
When Robert Louis Stevenson's Treasure Island was first published, H. Rider Haggard made a five-shilling bet that he could write a better adventure tale. In 1885, he created King Solomon's Mines, a story in which Allan Quatermain, a gentleman adventurer, is hired to locate a man who had disappeared into the heart of Africa while hunting for the legendary lost diamond mines of King Solomon. The book became an instant sensation and has remained popular ever since.
Tales of adventure in exotic settings were the hallmark of Haggard's art; and King Solomon's Mines was no exception. Here were all the elements for which his novels were famous: a gripping tale in a foreign setting, supernatural adventures, terror, passion, and discovery. Praised as "the most amazing story ever written," the book went on to become one of the bestselling novels of the 19th century.
The case begins when millionaire American financier Sigsbee Manderson is murdered while on holiday in England. A London newspaper sends Trent to investigate, and he is soon matching wits with Scotland Yard's Inspector Murth as they probe ever deeper in search of a solution to a mystery filled with odd, mysterious twists and turns. Called by Agatha Christie "one of the best detective stories ever written," Trent's Last Case delights with its flesh-and-blood characters, its naturalness and easy humor, and its style, which, as Dorothy Sayers has noted, "ranges from a vividly coloured rhetoric to a delicate and ironical literary fancy." New Introduction by Douglas G. Greene.
Lurking in the caves of eastern New Mexico, Falke, a thousand-year-old vampire, chooses his next bride: Melissa Roanhorse, an Albuquerque teenager. To regain his granddaughter's life, Michael Roanhorse, an old Navajo sheepherder wise to the power of myth, must outwit the vampire and his loyal coven. So begins A.A. Carr's Eye Killers, a novel that combines the Eastern European legend of the vampire with the Navajo tale of the monster slayer.
The songs of Michael Roanhorse's childhood include potent chants passed down through his grandmother, who sang to him of Changing Woman and her Warrior Twins, Monster Slayer and Child of the Water. But Michael's spiritual strength and his memory have waned with the years. Who is left to help reunite him with his family and his family with their heritage?
Michael enlists Diana Logan, Melissa's young English teacher, to wrestle Melissa from the vampire. But to conquer Falke they must also overpower his coven: Elizabeth, captured by Falke in the 1850s during her family's journey along the Santa Fe Trail, and Hanna, once a prostitute in Old Albuquerque, who aspires to supplant Falke's vampire reign.
Michael must invoke ancient traditions to bring Melissa home. The elders undertake to teach Diana, but her Irish-American heritage has not prepared her for a fight against shape-shifting vampires who have lived-and murdered-for centuries.
In Eye Killers, Carr delivers an imaginative clash of cultures-both a suspenseful thriller and a valid rendering of Navajo and Pueblo tribal life in contemporary New Mexico. His inventiveness, expressed through melodic prose and layers of fine storytelling, weaves new legends of the American Southwest.
The Adventures of Sherlock Holmes and The Memoirs of Sherlock Holmes (Penguin Classics) by Doyle, Sir Arthur Conan
Harry Bosch, exiled from the LAPD, is working cold cases for the San Fernando Police Department when all hands are called out to a local drugstore, where two pharmacists have been murdered in a robbery. Bosch and the tiny town's three-person detective squad sift through the clues, which lead into the dangerous, big-business world of prescription drug abuse. To get to the people at the top, Bosch must risk everything and go undercover in the shadowy world of organized pill mills.
Meanwhile, an old case from Bosch's days with the LAPD comes back to haunt him when a long-imprisoned killer claims Harry framed him and seems to have new evidence to prove it. Bosch left the LAPD on bad terms, so his former colleagues are not keen on protecting his reputation. But if this conviction is overturned, every case Bosch ever worked will be called into question. As usual, he must fend for himself as he tries to clear his name and keep a clever killer in prison.
The two cases wind around each other like strands of barbed wire. Along the way, Bosch discovers that there are two kinds of truth: the kind that sets you free and the kind that leaves you buried in darkness.
An NPR Best Book of 2017
A Times Critics' Top Book of 2017
A Barnes & Noble Best Book of 2017A South Florida Sun-Sentinel Best Mystery of 2017
An Amazon Book of the Month
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Entertainment Weekly - NPR - Kirkus Reviews - BookPage
She was the first person to see me as I had always wanted to be seen. It was enough to indebt me to her forever. In the male-dominated field of animation, Mel Vaught and Sharon Kisses are a dynamic duo, the friction of their differences driving them: Sharon, quietly ambitious but self-doubting; Mel, brash and unapologetic, always the life of the party. Best friends and artistic partners since the first week of college, where they bonded over their working-class roots and obvious talent, they spent their twenties ensconced in a gritty Brooklyn studio. Working, drinking, laughing. Drawing: Mel, to understand her tumultuous past, and Sharon, to lose herself altogether. Now, after a decade of striving, the two are finally celebrating the release of their first full-length feature, which transforms Mel's difficult childhood into a provocative and visually daring work of art. The toast of the indie film scene, they stand at the cusp of making it big. But with their success come doubt and destruction, cracks in their relationship threatening the delicate balance of their partnership. Sharon begins to feel expendable, suspecting that the ever-more raucous Mel is the real artist. During a trip to Sharon's home state of Kentucky, the only other partner she has ever truly known--her troubled, charismatic childhood best friend, Teddy--reenters her life, and long-buried resentments rise to the surface, hastening a reckoning no one sees coming. A funny, heartbreaking novel of friendship, art, and trauma, The Animators is about the secrets we keep and the burdens we shed on the road to adulthood. "Suffused with humor, tragedy and deep insights about art and friendship."--People "[A] stunning debut."--Variety "A compulsively readable portrait of women as incandescent artists and intimate collaborators."--Elle