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New Yorker book critic and award-winning author James Wood delivers a novel of a family struggling to connect with one another and find meaning in their own lives.
In the years since his daughter Vanessa moved to America to become a professor of philosophy, Alan Querry has never been to visit. He has been too busy at home in northern England, holding together his business as a successful property developer. His younger daughter, Helen--a music executive in London--hasn't gone, either, and the two sisters, close but competitive, have never quite recovered from their parents' bitter divorce and the early death of their mother. But when Vanessa's new boyfriend sends word that she has fallen into a severe depression and that he's worried for her safety, Alan and Helen fly to New York and take the train to Saratoga Springs.
Over the course of six wintry days in upstate New York, the Querry family begins to struggle with the questions that animate this profound and searching novel: Why do some people find living so much harder than others? Is happiness a skill that might be learned or a cruel accident of birth? Is reflection conducive to happiness or an obstacle to it? If, as a favorite philosopher of Helen's puts it, "the only serious enterprise is living," how should we live? Rich in subtle human insight, full of poignant and often funny portraits, and vivid with a sense of place, James Wood's Upstate is a powerful, intense, beautiful novel.
The tenth installment of Bernard Cornwell's New York Times bestselling series chronicling the epic saga of the making of England, "like Game of Thrones, but real" (The Observer, London)--the basis for The Last Kingdom, the hit television series.
Britain is in a state of uneasy peace. Northumbria's Viking ruler, Sigtryggr, and Mercia's Saxon Queen Aethelflaed have agreed a truce. And so England's greatest warrior, Uhtred of Bebbanburg, at last has the chance to take back the home his traitorous uncle stole from him so many years ago--and which his scheming cousin still occupies.
But fate is inexorable, and the enemies Uhtred has made and the oaths he has sworn conspire to distract him from his dream of recapturing his home. New enemies enter into the fight for England's kingdoms: the redoubtable Constantin of Scotland seizes an opportunity for conquest and leads his armies south. Britain's precarious peace threatens to turn into a war of annihilation. Yet Uhtred is determined that nothing--neither the new adversaries nor the old foes who combine against him--will keep him from his birthright.
"Historical novels stand or fall on detail, and Mr. Cornwell writes as if he has been to ninth-century Wessex and back."
--Wall Street Journal
"A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don't know how to live properly." --Zadie Smith
One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years--due largely to initial audiences' rejection of its strong black female protagonist--Hurston's classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.
An impossible case. A killer secret. And a lawyer who will not rest until she finds the truth...
When a young woman accuses college-football superstar Blaine Hastings of sexual assault, the DNA evidence against him is overwhelming. Yet the athlete swears his innocence and threatens both his lawyer and his accuser. When a second attack occurs, DNA findings once again point to Hastings. The only problem? Hastings was in prison when the crime was committed.
"The pacing is impeccable." --Booklist
Soon Hastings is granted a new trial and bail. Then his original lawyer disappears--and his law partner is found dead. Who is behind these crimes--and who will be the next target? These are the questions that Robin Lockwood, a young lawyer and former MMA fighter, intends to answer. She is representing the victim of the first attack, who is convinced that Hastings is stalking her. Is he the one behind these acts of intimidation? Meanwhile, another one of Robin's clients is up on a murder charge--one that should be dismissed as self-defense but is being brought to trial. Is there a link between these two cases? Now Robin must find a way to see that justice is served...and not end up a victim in the process.
"Packed with surprises all the way to the end."--Fresh Fiction
He is a renowned Swedish filmmaker and has a plan for everything. She is his daughter, the youngest of nine children. Every summer, since she was a little girl, she visits him at his beloved stony house surrounded by woods, poppies, and the Baltic sea. Now that she's grown up and he's in his late eighties, he envisions a book about old age. He worries that he's losing his language, his memory, his mind. Growing old is hard work, he says. They will write it together. She will ask the questions. He will answer them.
When she finally comes to the island, bringing her tape recorder with her, old age has caught up with him in ways neither could have foreseen.
Unquiet follows the narrator as she unearths these taped conversations seven years later. Swept into memory, she reimagines the story of a father, a mother, and a girl--a child who can't wait to grow up and parents who would rather be children.
A heartbreaking and darkly funny depiction of the intricacies of family, Unquiet is an elegy of memory and loss, identity and art, growing up and growing old. Linn Ullmann nimbly blends memoir and fiction in her most inventive novel yet, weaving a luminous meditation on language, mourning, and the many narratives that make up a life.
Without enough solid information to warrant law enforce ment involvement, Lyn returns to Maine to try and investigate Gunther's findings. Gunther periodically puts his on-going murder investigation on hold--irritating his colleagues and angering his bosses --to go and help Lyn in Maine. It appears increasingly possible that her father and brother weren't the good guys that Lyn always believed them to be and that they might have been involved with vicious smugglers who murdered them--and might do the same to Lyn if she keeps pushing.
Torn between his conscience and his heart, a murder invest - igation and a personal search for the truth, Gunther finds that betrayal and loyalty are often a matter of viewpoint.
Combining the skills of a poet and scholar, Robert Fagles brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer's poetry, and evokes the impact and nuance of the "Iliad"'s mesmerizing repeated phrases in what Peter Levi calls "an astonishing performance."
"With each new book by Tessa Hadley, I grow more convinced that she's one of the greatest stylists alive."--Ron Charles, Washington Post
New York Times Book Review Editors' Choice -A Parnassus First Editions Club Pick - Powell's Indispensable Book Club Pick - A Washington Post Notable Book - A Slate Best Book of the Year - A Bookpage Best Book of the Year
The lives of two close-knit couples are irrevocably changed by an untimely death in the latest from Tessa Hadley, the acclaimed novelist and short story master who "recruits admirers with each book" (Hilary Mantel).
Alexandr and Christine and Zachary and Lydia have been friends since they first met in their twenties. Thirty years later, Alex and Christine are spending a leisurely summer's evening at home when they receive a call from a distraught Lydia: she is at the hospital. Zach is dead.
In the wake of this profound loss, the three friends find themselves unmoored; all agree that Zach, with his generous, grounded spirit, was the irreplaceable one they couldn't afford to lose. Inconsolable, Lydia moves in with Alex and Christine. But instead of loss bringing them closer, the three of them find over the following months that it warps their relationships, as old entanglements and grievances rise from the past, and love and sorrow give way to anger and bitterness.
Late in the Day explores the complex webs at the center of our most intimate relationships, to expose how, beneath the seemingly dependable arrangements we make for our lives, lie infinite alternate configurations. Ingeniously moving between past and present and through the intricacies of her characters' thoughts and interactions, Tessa Hadley once again "crystallizes the atmosphere of ordinary life in prose somehow miraculous and natural" (Washington Post).
Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York--for her first London season. But no sooner has Frances begun her new life than the Metropolitan police receive an anonymous letter implicating Frances in her husband's death. Frances assures Inspector Delaney of her innocence, but she's also keen to keep him from learning the scandalous circumstances of Reggie's demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily's behalf, and worrying if Reggie really was murdered, Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst and Frances must unmask the villain before Lily's season--and their lives--come to a most unseemly end . . . "This lighthearted debut tale of mystery, love, and a delightful sleuth will leave you wanting more--which is presumably just what Freeman had in mind."
The Nature of the Beast is a New York Times bestselling Chief Inspector Gamache novel from Louise Penny.
Hardly a day goes by when nine year old Laurent Lepage doesn't cry wolf. From alien invasions, to walking trees, to winged beasts in the woods, to dinosaurs spotted in the village of Three Pines, his tales are so extraordinary no one can possibly believe him. Including Armand and Reine-Marie Gamache, who now live in the little Quebec village.
But when the boy disappears, the villagers are faced with the possibility that one of his tall tales might have been true.
And so begins a frantic search for the boy and the truth. What they uncover deep in the forest sets off a sequence of events that leads to murder, leads to an old crime, leads to an old betrayal. Leads right to the door of an old poet.
And now it is now, writes Ruth Zardo. And the dark thing is here.
A monster once visited Three Pines. And put down deep roots. And now, Ruth knows, it is back.
Armand Gamache, the former head of homicide for the Sûreté du Québec, must face the possibility that, in not believing the boy, he himself played a terrible part in what happens next.
"If I could only read one writer from now until the end of my life, it would be Dorothea Benton Frank." --Elin Hilderbrand, the New York Times bestselling author
Immerse yourself in the enchanting world of New York Times bestselling author Dorothea Benton Frank's Carolina Lowcountry in this evocative tale that returns at long last to her beloved Sullivans Island.
Beekeeper Holly McNee Jensen quietly lives in a world of her own on Sullivans Island, tending her hives and working at the local island library. Holly calls her mother The Queen Bee because she's a demanding hulk of a woman. Her mother, a devoted hypochondriac, might be unaware that she's quite ill but that doesn't stop her from tormenting Holly. To escape the drama, Holly's sister Leslie married and moved away, wanting little to do with island life. Holly's escape is to submerge herself in the lives of the two young boys next door and their widowed father, Archie.
Her world is upended when the more flamboyant Leslie returns and both sisters, polar opposites, fixate on what's happening in their neighbor's home. Is Archie really in love with that awful ice queen of a woman? If Archie marries her, what will become of his little boys? Restless Leslie is desperate for validation after her imploded marriage, squandering her favors on any and all takers. Their mother ups her game in an uproarious and theatrical downward spiral. Scandalized Holly is talking to her honey bees a mile a minute, as though they'll give her a solution to all the chaos. Maybe they will.
Queen Bee is a classic Lowcountry Tale--warm, wise and hilarious, it roars with humanity and a dropperful of whodunit added for good measure by an unseen hand. In her twentieth novel, Dorothea Benton Frank brings us back to her beloved island with an unforgettable story where the Lowcountry magic of the natural world collides with the beat of the human heart.
In a nameless suburb in an equally nameless country, every house has a room reserved for the president. No one knows when or why this came to be. It's simply how things are, and no one seems to question it except for one young boy.
The room is kept clean and tidy, nobody talks about it and nobody is allowed to use it. It is for the president and no one else. But what if he doesn't come? And what if he does? As events unfold, the reader is kept in the dark about what's really going on. So much so, in fact, that we begin to wonder if even the narrator can be trusted...
Ricardo Romero has been compared to Franz Kafka and Italo Calvino, and we see why in this eerie, meditative novel narrated by a shy young boy who seems to be very good at lying about the truth. Following in the footsteps of Julio Cortázar and a certain literary tradition of sinister rooms (such as Dr Jekyll's laboratory), The President's Room is a mysterious tale based on the suspicion that a house is never just one single home.
"A hint of Lynch, a touch of Ferrante, the cruel absurdity of Antonin Artaud, the fierce candour of Anaïs Nin, the stylish languor of a Lana del Rey song." --The Guardian
As Communism begins to crumble in Prague in the 1980s, Jana's unremarkable life becomes all at once remarkable when a precocious young girl named Zorka moves into the apartment building with her mother and sick father. With Zorka's signature two-finger salute and abrasive wit, she brings flair to the girls' days despite her mother's protestations to not "be weird." But after scorching her mother's prized fur coat and stealing from a nefarious teacher, Zorka suddenly disappears.
Meanwhile in Paris, Aimée de Saint-Pé married young to an older woman, Dominique, an actress whose star has crested and is in decline. A quixotic journey of self-discovery, Virtuoso follows Zorka as she comes of age in Prague, Wisconsin, and then Boston, amidst a backdrop of clothing logos, MTV, computer coders, and other outcast youth. But it isn't till a Parisian conference hall brimming with orthopedic mattresses and therapeutic appendages when Jana first encounters Aimée, their fates steering them both to a cryptic bar on the Rue de Prague, and, perhaps, to Zorka.
With a distinctive prose flair and spellbinding vision, Virtuoso is a story of love, loss, and self-discovery that heralds Yelena Moskovich as a brilliant and one-of-a-kind visionary.
A soldier with a gift for archery. A woman who kills without care. Two brothers, both unbeatable generals, now fighting for opposing armies. No one in the vast and once glorious United Empire remains untouched by the rift between East and West, and the war has been fought for as long as anyone can remember. Some still survive who know how it was started, but no one knows how it will end. Except, perhaps, the Two of Swords.
World Fantasy Award-winning author K. J. Parker delivers the first volume of his most ambitious work yet-the story of a war on a grand scale, told through the eyes of soldiers, politicians, victims, and heroes.